The Full Tide - Kostenloses Hörbuch
1/17The Full Tide - Read by ALP
The Full Tide
WILD HEART
WILD HEART
I
DARK AND STRANGE
When first Love came, then was I but a boy
Swept with delirium of undreamt joy.
Now Love comes to a man serious with change
Of life and death—and makes the world dark and strange.
II
WILD HEART
Wild heart, wild heart,
Where does the wind find home?
Wild heart, wild heart,
Where does the wild blood rest?
Home, home,
Rest, rest—
Unto you I come
And catch you to my breast.
Wild heart, wild heart,
There the wind will sleep.
Wild heart, wild heart,
And the blood gently flow.
Come, come,
Unresting rest
Within my heart's cave deep
Where thoughts like bright stars glow.
Wild heart, wild heart,
Here, here is your home.
Wild heart, wild heart,
With that winged star I come.
Home, home,
Rest in unrest—
Unto you, wild heart, I come.
My wild heart is your home.
III
HOME FOR LOVE
Because the earth is vast and dark
And wet and cold;
Because man's heart wants warmth and light
Lest it grow old;
Therefore the house was built—wall, roof
And brick and beam,
By a lost hand following the lost
Delight of a dream,
And room and stair show how that hand
Groped in eager doubt,
With needless weight of teasing timber
Matching his thought—
Such fond superfluousness of strength
In wall and wood
As his half-wise, half-fearful eye
Deemed only good.
His brain he built into the house,
Laboured his bones;
He burnt his heart into the brick
And red hearth-stones.
It is his blood that makes the house
Still warm, safe, bright,
Honest as aim and eye and hand,
As clean, as light.
Because the earth is vast and dark
The house was built—
Now with another heart and fire
To be fulfilled.
IV
THE ALDE
How near I walked to Love,
How long, I cannot tell.
I was like the Alde that flows
Quietly through green level lands,
So quietly, it knows
Their shape, their greenness and their shadows well;
And then undreamingly for miles it goes
And silently, beside the sea.
Seamews circle over,
The winter wildfowl wings,
Long and green the grasses wave
Between the river and the sea.
The sea's cry, wild or grave,
From, bank to low bank of the river rings;
But the uncertain river though it crave
The sea, knows not the sea.
Was that indeed salt wind?
Came that noise from falling
Wild waters on a stony shore?
Oh, what is this new troubling tide
Of eager waves that pour
Around and over, leaping, parting, recalling?...
How near I moved (as day to same day wore)
And silently, beside the sea!
V
AGAINST THE COLD PALE SKY
Against the cold pale sky
The elm tree company rose high.
All the fine hues of day
That flowered so bold had died away.
Only chill blue, faint green,
And deepening dark blue were seen.
There swinging on a bough
That hung or floated broad and low.
The lamp of evening, bright
With more than planetary light,
Was beautiful and free—
A white bird swaying on the tree.
You watched and I watched,
Our eyes and hearts so surely matched.
We saw the white bird leap, leap
Shining in his journey steep
Through that vast cold sky.
Our hearts knew his unuttered cry—
A cry of free delight
Spreading over the clustering night.
Pole Hill grave and stark
Stared at the valley's tidal dark,
The Darent glimmered wan;
But that eager planet winging on,
And singing on, went high
Into the deeps and heights of sky.
And our thoughts rising too
Brightened the mortal darkness through
Trembled and danced and sang
Till the mute invisible heavens rang.
VI
THE DARK FIRE
Love me not less
Yet ease me of this fever,
That in my wondering heart
Burns, sinks, burns again ever.
Is it your love
In me so fiercely burning,
Or my love leaping to you
Then requickened returning?
Come not to me,
Bring not your body nearer,
Though you overleapt the miles
I could not behold you clearer.
I could not clasp you
Than in my thought more surely;
Breast to breast, heart to heart
Might cling no more securely.
I do not know you,
Seeing you, more than unseeing.
What you are that you are
Here in my spiritual being.
Leave me you cannot,
Nor can I remove me
From the sevenfold dark fire
You have lit here since you love me.
Yet love unsure
No wilder could be burning.
Come, go, come, go,
There's neither leaving nor returning.
Love me, love me more.
O, not my heart shall quaver
If the dark fire more deep
Sinks and is sevenfold sevenfold graver.
VII
THE KESTREL
In a great western wind we climbed the hill
And saw the clouds run up, ride high and sink;
And there were shadows running at our feet
Till it seemed the very earth could not be still,
Nor could our hearts be still, nor could we think
Our hearts could ever be still, our thought less fleet
Than the dizzy clouds, less than the flying wind.
Eastward the valley and the dark steep hill
And other hills and valleys lost behind
In mist and light. The hedges were not yet bare
Though the wind picked at them as he went by.
The woods were fire, a fire that dense or clear
Burned steady, but could not burn up the shadows
Rooted where the trees' roots entangled lie,
In darkness; or a flame burned solitary
In the middle of the highest of brown meadows,
Burned solitary and unconsuming where
A red tree stooped to its black shadow and
The kestrel's shadow hunted the kestrel up the hill.
We climbed, and as we stood (where yet we stand
And of the visioned sun and shadow still drink)
Happiness like a shadow chased our thought
That tossed on free wings up and down the world;
Till by that wild swift-darting shadow caught
Our free spirits their free pinions furled.
Then as the kestrel began once more the heavens to climb
A new-winged spirit rose clear above the hills of time.
VIII
THE IMAGE
I am a river flowing round your hill,
Holding your image in my lingering water,
With imaged white clouds rising round your head;
And I am happy to bear your image still.
Though a loud ruffling wind may break and scatter
That happiness, I know it is not fled.
But when the wind is gone or gentled so
That only the least quivering quivers on,
Your image recomposes in my breast
With those high clouds, quiet and white as snow—
Spiritual company; and when day's gone
And those white clouds have stepped into the west;
And the dark blue filling the heavens deep
Is bright with stars that sing above your head,
Their light lies in the deep of my dark eyes
With your dark shape, a shadow of your sleep ...
I am happy still, watching the bright stars tread
Around your shadow that in my bosom lies.
IX
PERVERSITIES
I
Now come,
And I that moment will forget you.
Sit here
And in your eyes I shall not see you.
Speak, speak
That I no more may hear your music.
Into my arms,
Till I've forgotten I ever met you.
I shall not have you when I hold you
Body to body,
Though your firm flesh, though your strong fingers
Be knit to these.
On a wild hill I shall be chasing
The thought of you;
False will be those true things I told you:
I shall forget you.
No, do not come.
Where the wind hunts, there shall I find you.
In cool gray cloud
Where the sun slips through I shall see you,
Or where the trees
Are silenced, and darken in their branches.
Your coming would
Loosen, when my thought still would bind you.
Against my shoulder your warm shoulder
When last you leaned—
Think, were you nearer then and dearer,
Or I more glad?
O eternal love, your body brings you
No nearer.
Trust me, be bold, be even a little bolder
And do not come.
X
PERVERSITIES
II
Yet when I am alone my eyes say, Come.
My hands cannot be still.
In that first moment all my senses ache,
Cells, that were empty fill,
The clay walls shake,
And unimprisoned thought runs where it will.
Runs and is glad and listens and doubts, and glooms
Because you are not here.
Then once more rises and is clear again
As sense is never clear,
And happy, though in vain
These eyes wait and these arms to bring you near.
Yet spite of thought my arms and eyes say, Come,
Pained with such discontent.
For though thought have you all my senses ache—
O, it was not meant
My body should never wake
But on thought's tranquil bosom rest content.
XI
THE VALLEY
Between the beechen hill and the green down
The valley pastures sink;
And the green river runs through their warm green
Northward into the sea.
Dark is the beechen hill these winter days,
The trees swallow the light
And make an evening there when morning shines
And the down heaves to the south.
Only when the sun's low a fire creeps through
The dark of the beechen hill;
While the green down, misty from head to foot,
Grows huge and dim with sleep.
Then in the valley by the yet shining river,
Under the noisy elms,
I know how like twin shadows over me
Rising high, east and west,
Are Love's dark hills, quiet, unchanging, vast,
Sleeping beneath the stars;
While I with those stars in my bosom shining
Move northward to the sea.
XII
THE DARK NIGHT OF THE MIND
I could not love if my thought loved not too,
Nor could my body touch the body of you,
Unless first in the dark night of the mind
Love had fulfilled what Love had well designed.
Was it in thought or flesh we walked, when low
The sun dropped, and the white scar on the hill
Sank into the dark trees?
Could we indeed so quietly go
Body by body into that heavenly glow?
The elms that rose so vast above the mill
Near leafless were and still;
But from the branches with such loud unease
Black flocking starlings mixed their warring cries
That seemed the greater noise of the creaking mill;
And every branch and extreme twig was black
With birds that whistled and heard and whistled back,
Filling with noise as late with wings the skies.
Was it their noise we heard,
Or clamour of other thoughts in our quiet mind that stirred?
Then through the climbing hazel hedge new thinned
By the early and rapacious wind,
We saw the silver birches gleam with light
Of frozen masts in seas all wild and green.
O, were they truly trees, or some unseen
Thought taking on an image dark and bright?
And did those bodies see them, or the mind?
And did those bodies face once more the hill
To bathe in night, or on a darker road
Our spirits unseeing unwearying rise and rise
Where these feet never trod?
From that familiar outer darkness I
Would rise to the inner, deeper, darker sky
And find you in my spirit—or find you not,
O, never, never, if not in my thought.
Über
LibriVox volunteers bring you 17 recordings of The Full Tide by John Frederick Freeman. This was the Weekly Poetry project for May 8, 2023. ------ John Frederick Freeman was an English poet and essayist, who gave up a successful career in insurance to write full-time. This sea-side offering is taken from his POEMS NEW AND OLD (1920) (Summary by Wikipedia )
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