Selections from Josephus - Kostenloses Hörbuch
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Selections from Josephus
(33) Death of Herod Agrippa
(33) Death of Herod Agrippa
This should be compared with the account in Acts xii. 19-23. St. Luke differs from Josephus in representing the scene as a court of judgement, instead of a theatre.
A.D. 44
Agrippa had completed the third year of his reign over (all)[200] Judæa when he came to the city of Cæsarea, formerly called Strato’s Tower. There he exhibited spectacles in Cæsar’s honour, at a festival which he had instituted[201] to commemorate the preservation of the Emperor’s life, and a great multitude of the provincial magistrates and men of rank was assembled for the occasion.
On the second day of the performance he entered the theatre at daybreak, arrayed in a wonderfully woven robe made entirely of silver; whereupon the silver, caught by the first rays of the sun, was lit up and glittered in a marvellous manner, with dazzling flashes that struck terror and awe into the onlookers. His flatterers straightway, from one quarter and another, raised cries, which even to him seemed ill-omened, calling him a god and adding, “O be gracious! If hitherto we have feared thee as a man, from henceforth we own thee as of more than mortal nature.” The king neither rebuked them nor rejected their impious adulation; but not long after he looked up and saw the owl sitting on a rope above his head, and at once recognized the former bringer of good tidings as now the messenger of ill.[202] Pangs pierced his heart; a spasm of pain with violent onset shot straight to[203] his stomach. Leaping up[204] he addressed his friends: “I, your god, even now receive orders to quit this life; destiny at the instant confutes those lying voices which this moment filled my ears; I, whom you called immortal, am already being led off to die. But I must accept such fate as it has pleased God to send me; for my[205] life has been no ignoble one, but passed in blissful splendour.”
As he spoke these words intense pain prostrated him. He was quickly carried into the palace, and a report ran through the assembly that his death was certainly imminent. At once the multitude, including women and children, according to their national custom sat in[206] sackcloth and besought God for the king’s life, and the whole scene was one of wailing and lamentation. The king himself, who lay in a chamber above, as he looked down and saw them falling on their faces, could not restrain his tears. For five days he was racked continuously by abdominal pains, and so departed this life in the fifty-fourth year of his age and the seventh of his reign. He reigned |A.D. 37-40| four years under Gaius Cæsar, during three of them over Philip’s tetrarchy, while in the fourth |A.D. 40-1| he took over that of Herod[207] as well; and three more years |A.D. 41-44| under the Emperor Claudius Cæsar, having Judæa, Samaria and Cæsarea added to his former realm.—Ant. XIX. 8. 2 (343-351).
Über
Jewish historian, military leader and Roman citizen, Titus Flavius Josephus, provides the most thorough history of the 1st century Roman Empire deals with the Jewish people. Born in Jerusalem during the reign of Caligula; present with the Roman Army of Vespasian and Titus at the siege of Jerusalem and the destruction of the temple, Josephus stands preeminent among early Christian period writers.
"I have selected the passages most relevant to Christian origins and New Testament study," writes Henry St. James Thackery of King's College, UK, leading biblical scholar on Josephus and Koine Greek translator.
"Some figures which in the New Testament are little more than names, become clothed with life" by Josephus as he "gives us the background of Jewish and world history in the time of our Lord and the infant church. ... And we have full and life-like portraits of Roman governors and generals."
More than 400 footnotes and extensive appendix notes have been woven through the audio recording that the listener might experience Thackery's insights and teaching, as if in his class at King's. Many of the names and places are read with Erasmian Koine Greek pronunciation. (Summary by Rebecca Eden Walker)
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