Love's Labour's Lost (version 2) - Kostenloses Hörbuch
1/6Dramatis Personae
Love's Labour's Lost (version 2)
The Merchant of Venice, II, 2.
The Merchant of Venice, II, 2.
Enter L.] Enter the Clown alone. Qq Ff.
1: will] will not Halliwell.
3, 4, 7: Gobbo] Q1. Iobbe Q2 F1 F2 Q3 Q4. Job F3 F4.
Launcelot] Launcelet Qq Ff.
8: running with] running; withe Anon. ap. Steevens conj.
courageous] contagious Collier MS.
9: Via] Rowe. fia Qq Ff.
10: for the] fore the Collier MS.
heavens.] heavens: Capell. haven Mason conj.
19: well] ill Q1.
23: incarnal] Q1. incarnation Q2 Ff Q3 Q4.
24: but] om. Ff.
27: command] Q1 commandment Q2 Ff Q3 Q4.
28: young man] young-man Q2 Q3 Q4 F3 F4. yong-man F1 F2.
32: confusions] Q2 Ff Q3 Q4. conclusions Q1.
35: up on] Qq. upon Ff.
38: to] unto Q1.
39: By] F4. Be Qq F1 F2 F3.
sonties] bonties Jackson conj.
46: say it] Q1. say’t Q2 Ff Q3 Q4.
50: Launcelot] Gobbo Farmer conj.
sir] Qq. om. Ff.
52: Launcelot?] Launcelet? Q3 Q4 F4. Launcelet. Q1 Q2 F1 F2 F3. See note (iii).
57: is] in F2.
62: know] not know Dyce conj.
71: murder] muder Q2.
72: at the length] Q1. in the end Q2 Ff Q3 Q4.
73: will out] Qq F1. will not F2 F3 F4.
85: might] om. Capell (corrected in MS.).
87: fill-horse] Pope (ed. 2). pil-horse Q1. philhorse Q2 Ff Q3 Q4. thill-horse Theobald.
90: of my] Qq F1. F2. on my F3 F4.
last] lost Q2 F1.
93: ’gree] gree Q2 Ff Q3 Q4. agree Q1.
98: my] your Anon. conj.
101: not him] Qq Ff. him not Rowe.
103: Enter...] Enter B. with a follower or two. Qq Ff.
107: [Exit...] om. Q2 Ff Q3 Q4. Exit one of his men. Q1.
122: frutify] fortify Lloyd conj.
139: speak’st] split’st Warburton conj.
143: no;] no? Rowe (ed. 2).
have] ha Q1.
144: head.] head? Rowe (ed. 2).
looking on his own hand. Hanmer.
head. Well,] Q1. head, wel: Q2. head, well: F1 F2. head: well, Q3 Q4. head well: F3 F4.
145: doth] Here Warburton thinks a line has been lost.
table which...book] table (which...book) Jackson conj. table—why, it doth...book Kenrick conj.
book, I] book.—I Johnson (Heath conj.).
146: good] no good Malone conj.
fortune.] fortune,— Tyrwhitt conj.
148: a’leven] a leven Q2 F1 F2 Q3 Q4. a leaven F3 F4. eleven Q1.
149: ’scape] escape Q1.
153: of an eye] Q1 om. Q2 Ff Q3 Q4.
[Exeunt...] Exit Clown. Qq Ff.
157: go] Q1. goe Q2 F1 Q3 Q4. gon F2. gone F3 F4.
159: Scene iii. Pope.
[Exit.] Put after line 158 in Qq Ff.
162: a] om. Q2.
163: You must] Nay, you must Hanmer, reading as verse.
165: thee] me Q3 Q4.
168, 169: faults; But...known,] Ff Q3 Q4. faults, But...knowne. Q1. faults But...knowne; Q2.
170: Pray thee] prethee Q1.
173: misconstrued] misconstred Qq. misconsterd F1 F2 F3. misconster’d F4.
174: hopes] hope Q3 Q4.
175: I] om. F2.
177: pocket] pockets Rowe.
188: fare you well] faryewell Q1.
Über
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Weitere Versionen von Love's Labour's Lost (version 2)
- Love's Labour's Lost — gelesen von mehreren Sprechern · Englisch
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