Love's Labour's Lost (version 2) - Kostenloses Hörbuch
1/6Dramatis Personae
Love's Labour's Lost (version 2)
MSND II. 1
ACT II.
000 Scene I. A wood near Athens.
MSND II. 1 Enter, from opposite sides, a Fairy, and Puck.
Puck. How now, spirit! whither wander you?
Fai.
Over hill, over dale,
003 Thorough bush, thorough brier,
Over park, over pale,
005 Thorough flood, thorough fire,
I do wander every where,
007 Swifter than the moon’s sphere;
And I serve the fairy queen,
009 To dew her orbs upon the green.
010 The cowslips tall her pensioners be:
011 In their gold coats spots you see;
Those be rubies, fairy favours,
In those freckles live their savours:
014 I must go seek some dewdrops here,
015 And hang a pearl in every cowslip’s ear.
Farewell, thou lob of spirits; I’ll be gone:
Our queen and all her elves come here anon.
Puck. The king doth keep his revels here to-night:
Take heed the queen come not within his sight;
020 For Oberon is passing fell and wrath,
Because that she as her attendant hath
A lovely boy, stolen from an Indian king;
She never had so sweet a changeling:
And jealous Oberon would have the child
025 Knight of his train, to trace the forests wild;
But she perforce withholds the loved boy,
Crowns him with flowers, and makes him all her joy:
And now they never meet in grove or green,
By fountain clear, or spangled starlight sheen,
030 But they do square, that all their elves for fear
Creep into acorn-cups and hide them there.
032 Fai. Either I mistake your shape and making quite,
033 Or else you are that shrewd and knavish sprite
034 Call’d Robin Goodfellow: are not you he
035 That frights the maidens of the villagery;
036 Skim milk, and sometimes labour in the quern,
And bootless make the breathless housewife churn;
And sometime make the drink to bear no barm;
Mislead night-wanderers, laughing at their harm?
040 Those that Hobgoblin call you, and sweet Puck,
You do their work, and they shall have good luck:
Are not you he?
Puck.
042 Thou speak’st aright;
I am that merry wanderer of the night.
I jest to Oberon, and make him smile,
045 When I a fat and bean-fed horse beguile,
046 Neighing in likeness of a filly foal:
And sometime lurk I in a gossip’s bowl,
In very likeness of a roasted crab;
And when she drinks, against her lips I bob
050 And on her wither’d dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;
Then slip I from her bum, down topples she,
054 And ‘tailor’ cries, and falls into a cough;
055 And then the whole quire hold their hips and laugh;
056 And waxen in their mirth, and neeze, and swear
A merrier hour was never wasted there.
058 But, room, fairy! here comes Oberon.
059 Fai. And here my mistress. Would that he were gone!
Enter, from one side, Oberon, with his train; from the other, Titania, with hers.
060 Obe. Ill met by moonlight, proud Titania.
061 Tita. What, jealous Oberon! Fairies, skip hence:
I have forsworn his bed and company.
Obe. Tarry, rash wanton: am not I thy lord?
Tita. Then I must be thy lady: but I know
065 When thou hast stolen away from fairy land,
And in the shape of Corin sat all day,
Playing on pipes of corn, and versing love
To amorous Phillida. Why art thou here,
069 Come from the farthest steppe of India?
070 But that, forsooth, the bouncing Amazon,
Your buskin’d mistress and your warrior love,
To Theseus must be wedded, and you come
To give their bed joy and prosperity.
Obe. How canst thou thus for shame, Titania,
075 Glance at my credit with Hippolyta,
Knowing I know thy love to Theseus?
077 Didst thou not lead him through the glimmering night
078 From Perigenia, whom he ravished?
079 And make him with fair Ægle break his faith,
080 With Ariadne and Antiopa?
Tita. These are the forgeries of jealousy:
082 And never, since the middle summer’s spring,
Met we on hill, in dale, forest, or mead,
By paved fountain or by rushy brook,
085 Or in the beached margent of the sea,
To dance our ringlets to the whistling wind,
But with thy brawls thou hast disturb’d our sport.
Therefore the winds, piping to us in vain,
As in revenge, have suck’d up from the sea
090 Contagious fogs; which falling in the land,
091 Have every pelting river made so proud,
That they have overborne their continents:
The ox hath therefore stretch’d his yoke in vain,
The ploughman lost his sweat; and the green corn
095 Hath rotted ere his youth attain’d a beard:
The fold stands empty in the drowned field,
097 And crows are fatted with the murrion flock;
The nine men’s morris is fill’d up with mud;
099 And the quaint mazes in the wanton green,
100 For lack of tread, are undistinguishable:
101 The human mortals want their winter here;
No night is now with hymn or carol blest:
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
105 That rheumatic diseases do abound:
106 And thorough this distemperature we see
107 The seasons alter: hoary-headed frosts
Fall in the fresh lap of the crimson rose;
109 And on old Hiems’ thin and icy crown
110 An odorous chaplet of sweet summer buds
Is, as in mockery, set: the spring, the summer,
112 The childing autumn, angry winter, change
113 Their wonted liveries; and the mazed world,
114 By their increase, now knows not which is which:
115 And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.
Obe. Do you amend it, then; it lies in you:
Why should Titania cross her Oberon?
120 I do but beg a little changeling boy,
To be my henchman.
Tita.
Set your heart at rest:
122 The fairy land buys not the child of me.
123 His mother was a votaress of my order:
And, in the spiced Indian air, by night,
125 Full often hath she gossip’d by my side;
And sat with me on Neptune’s yellow sands,
127 Marking the embarked traders on the flood;
When we have laugh’d to see the sails conceive
And grow big-bellied with the wanton wind;
130 Which she, with pretty and with swimming gait
131 Following,—her womb then rich with my young squire,—
Would imitate, and sail upon the land,
To fetch me trifles, and return again,
As from a voyage, rich with merchandise.
135 But she, being mortal, of that boy did die;
136 And for her sake do I rear up her boy;
And for her sake I will not part with him.
Obe. How long within this wood intend you stay?
Tita. Perchance till after Theseus’ wedding-day.
140 If you will patiently dance in our round,
And see our moonlight revels, go with us;
If not, shun me, and I will spare your haunts.
Obe. Give me that boy, and I will go with thee.
144 Tita. Not for thy fairy kingdom. Fairies, away!
145 We shall chide downright, if I longer stay. [Exit Titania with her train.
Obe. Well, go thy way: thou shalt not from this grove
Till I torment thee for this injury.
My gentle Puck, come hither. Thou rememberest
149 Since once I sat upon a promontory,
150 And heard a mermaid, on a dolphin’s back,
Uttering such dulcet and harmonious breath,
That the rude sea grew civil at her song,
And certain stars shot madly from their spheres,
To hear the sea-maid’s music.
Puck.
I remember.
155 Obe. That very time I saw, but thou couldst not,
Flying between the cold moon and the earth,
157 Cupid all arm’d: a certain aim he took
158 At a fair vestal throned by the west,
And loosed his love-shaft smartly from his bow,
160 As it should pierce a hundred thousand hearts:
But I might see young Cupid’s fiery shaft
162 Quench’d in the chaste beams of the watery moon,
163 And the imperial votaress passed on,
In maiden meditation, fancy-free.
165 Yet mark’d I where the bolt of Cupid fell:
It fell upon a little western flower,
Before milk-white, now purple with love’s wound,
And maidens call it love-in-idleness.
Fetch me that flower; the herb I shew’d thee once:
170 The juice of it on sleeping eye-lids laid
Will make or man or woman madly dote
172 Upon the next live creature that it sees.
Fetch me this herb; and be thou here again
Ere the leviathan can swim a league.
175 Puck. I’ll put a girdle round about the earth
In forty minutes. [Exit.
Obe.
Having once this juice,
177 I’ll watch Titania when she is asleep,
And drop the liquor of it in her eyes.
179 The next thing then she waking looks upon,
180 Be it on lion, bear, or wolf, or bull,
181 On meddling monkey, or on busy ape,
She shall pursue it with the soul of love:
183 And ere I take this charm from off her sight,
As I can take it with another herb,
185 I’ll make her render up her page to me.
But who comes here? I am invisible;
And I will overhear their conference.
Enter Demetrius, Helena following him.
188 Dem. I love thee not, therefore pursue me not.
Where is Lysander and fair Hermia?
190 The one I’ll slay, the other slayeth me.
191 Thou told’st me they were stolen unto this wood;
192 And here am I, and wode within this wood,
Because I cannot meet my Hermia.
Hence, get thee gone, and follow me no more.
195 Hel. You draw me, you hard-hearted adamant;
But yet you draw not iron, for my heart
197 Is true as steel: leave you your power to draw,
And I shall have no power to follow you.
Dem. Do I entice you? do I speak you fair?
200 Or, rather, do I not in plainest truth
201 Tell you, I do not nor I cannot love you?
202 Hel. And even for that do I love you the more.
I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you:
205 Use me but as your spaniel, spurn me, strike me,
206 Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.
208 What worser place can I beg in your love,—
And yet a place of high respect with me,—
210 Than to be used as you use your dog?
Dem. Tempt not too much the hatred of my spirit;
For I am sick when I do look on thee.
Hel. And I am sick when I look not on you.
Dem. You do impeach your modesty too much,
215 To leave the city, and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
With the rich worth of your virginity.
220 Hel. Your virtue is my privilege: for that
It is not night when I do see your face,
Therefore I think I am not in the night;
Nor doth this wood lack worlds of company,
For you in my respect are all the world:
225 Then how can it be said I am alone,
When all the world is here to look on me?
Dem. I’ll run from thee and hide me in the brakes,
And leave thee to the mercy of wild beasts.
Hel. The wildest hath not such a heart as you.
230 Run when you will, the story shall be changed:
Apollo flies, and Daphne holds the chase;
The dove pursues the griffin; the mild hind
Makes speed to catch the tiger; bootless speed,
When cowardice pursues, and valour flies.
235 Dem. I will not stay thy questions; let me go:
Or, if thou follow me, do not believe
But I shall do thee mischief in the wood.
238 Hel. Ay, in the temple, in the town, the field,
You do me mischief. Fie, Demetrius!
240 Your wrongs do set a scandal on my sex:
We cannot fight for love, as men may do;
242 We should be woo’d, and were not made to woo. [Exit Dem.
243 I’ll follow thee, and make a heaven of hell,
244 To die upon the hand I love so well. [Exit.
245 Obe. Fare thee well, nymph: ere he do leave this grove,
246 Thou shalt fly him, and he shall seek thy love.
Re-enter Puck.
247 Hast thou the flower there? Welcome, wanderer.
Puck. Ay, there it is.
Obe.
I pray thee, give it me.
249 I know a bank where the wild thyme blows,
250 Where oxlips and the nodding violet grows;
251 Quite over-canopied with luscious woodbine,
With sweet musk-roses, and with eglantine:
253 There sleeps Titania sometime of the night,
254 Lull’d in these flowers with dances and delight;
255 And there the snake throws her enamell’d skin,
256 Weed wide enough to wrap a fairy in:
257 And with the juice of this I’ll streak her eyes,
And make her full of hateful fantasies.
Take thou some of it, and seek through this grove:
260 A sweet Athenian lady is in love
With a disdainful youth: anoint his eyes;
But do it when the next thing he espies
May be the lady: thou shalt know the man
By the Athenian garments he hath on.
265 Effect it with some care that he may prove
266 More fond on her than she upon her love:
And look thou meet me ere the first cock crow.
268 Puck. Fear not, my lord, your servant shall do so. [Exeunt.
Über
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Weitere Versionen von Love's Labour's Lost (version 2)
- Love's Labour's Lost — gelesen von mehreren Sprechern · Englisch
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