《Love's Labour's Lost (version 2)》 - 免费有声读物
1/6Dramatis Personae
Love's Labour's Lost (version 2)
As You Like It, V, 2.
As You Like It, V, 2.
4: persever] F1 F2. persevere F3 F4.
7: nor her] Rowe. nor Ff.
12–15: Printed as five lines ending consent...I...followers:...you,...Rosalinda in Ff.
13: all’s] Ff. all his Pope.
15: Enter R.] Ff (after line 11).
17: And you] And you, and your Johnson conj.
[Exit.] Capell. om. Ff.
25: swoon] sound F1 F2 F3. swound F4.
handkercher] handkerchief F4.
28: fight] sight F4.
29: overcame] overcome F1.
52: I say] (I say) Ff.
56: year] F3. yeare F1 F2. years F4.
58: cries it] crieth Capell conj.
59: shall you] F1 F2. you shall F3 F4.
64: meanings] meaning S. Walker conj.
69: Scene iii. Pope.
75: Look...you] Look on him, love him, for he worships you Anon. conj.
77: all made] F1 F2. made all F3 F4.
82: all made] Ff. made all Rowe.
89: observance] F1 F3 F4. obserbance F2. obedience Dyce (Collier MS.).
91: observance] Ff. obeisance Ritson conj. obedience Malone conj. perseverence Heath conj. endurance Harness conj. deservance Nicholson conj.
99: Who...to] Rowe. Why...too Ff. Whom...to Singer.
103, 108, 110: To Sil.] Pope. om. Ff.
104, 105: To Phe.] Pope. om. Ff.
105: all together] F4. altogether F1 F2 F3.
106, 110: To Orl.] Pope. om. Ff.
107: satisfied] satisfy Douce conj.
113–115: Printed as a verse by Reed.
关于
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Love's Labour's Lost (version 2)的其他版本
- Love's Labour's Lost — 朗读:多位朗读者 · 英语
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