Love's Labour's Lost (version 2) - Sách nói Miễn phí
1/6Dramatis Personae
Love's Labour's Lost (version 2)
Note XX.
Note XX.
v. 1. 24, 25. The reading which we have given in the text, and which had occurred to us before we discovered that Capell had hit upon nearly the same conjecture, comes nearer to the words and punctuation of the Quartos and Folios than Theobald’s, which, since his time, has been the received reading. Sir Nathaniel is not represented elsewhere as an ignoramus who would be likely to say ‘bone’ for ‘bene.’ Holofernes patronizingly calls him ‘Priscian,’ but, pedagogue-like, will not admit his perfect accuracy. ‘A little scratched’ is a phrase familiar to the schoolmaster, from his daily task of correcting his pupils’ ‘latines.’
Capell’s conjecture, given in his Notes, Vol. i. p. 44 of the Various Readings, is ‘Nath. Laus Deo bone intelligo. Hol. Bone! bon, fort bon; Priscian.’ In his printed text he follows Theobald.
Some corruption is still left in line 22: insanie: ne intelligis. Perhaps we should read insano fare: intelligis...
Giới thiệu
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Các phiên bản khác của Love's Labour's Lost (version 2)
- Love's Labour's Lost — giọng đọc nhiều người đọc · Tiếng Anh
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