Love's Labour's Lost (version 2) - Sách nói Miễn phí
1/6Dramatis Personae
Love's Labour's Lost (version 2)
AYLI IV. 2
000 Scene II. The forest.
AYLI IV. 2 Enter Jaques, Lords, and Foresters.
Jaq. Which is he that killed the deer?
002 A Lord. Sir, it was I.
Jaq. Let’s present him to the Duke, like a Roman conqueror; and it would do well to set the deer’s horns upon 005 his head, for a branch of victory. Have you no song, forester, for this purpose?
007 For. Yes, sir.
Jaq. Sing it: ’tis no matter how it be in tune, so it make noise enough.
Song.
For.
010 What shall he have that kill’d the deer?
His leather skin and horns to wear.
012 Then sing him home: [The rest shall bear this burden.
013 Take thou no scorn to wear the horn;
It was a crest ere thou wast born:
015 Thy father’s father wore it,
016 And thy father bore it:
The horn, the horn, the lusty horn
Is not a thing to laugh to scorn. [Exeunt.
Giới thiệu
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Các phiên bản khác của Love's Labour's Lost (version 2)
- Love's Labour's Lost — giọng đọc nhiều người đọc · Tiếng Anh
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