Love's Labour's Lost (version 2) - Sách nói Miễn phí
1/6Dramatis Personae
Love's Labour's Lost (version 2)
TMOV IV. 2
000 Scene II. The same. A street.
TMOV IV. 2 Enter Portia and Nerissa.
Por. Inquire the Jew’s house out, give him this deed
And let him sign it: we’ll away to-night
And be a day before our husbands home:
This deed will be well welcome to Lorenzo.
Enter Gratiano.
005 Gra. Fair sir, you are well o’erta’en:
My Lord Bassanio upon more advice
Hath sent you here this ring, and doth entreat
Your company at dinner.
Por.
That cannot be:
009 His ring I do accept most thankfully:
010 And so, I pray you, tell him: furthermore,
I pray you, show my youth old Shylock’s house.
Gra. That will I do.
Ner.
Sir, I would speak with you.
I’ll see if I can get my husband’s ring, [Aside to Portia.
Which I did make him swear to keep for ever.
015 Por. [Aside to Ner.] Thou mayst, I warrant. We shall have old swearing
That they did give the rings away to men;
But we’ll outface them, and outswear them too.
[Aloud] Away! make haste: thou know’st where I will tarry.
Ner. Come, good sir, will you show me to this house? [Exeunt.
Giới thiệu
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Các phiên bản khác của Love's Labour's Lost (version 2)
- Love's Labour's Lost — giọng đọc nhiều người đọc · Tiếng Anh
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