Love's Labour's Lost (version 2) - Sách nói Miễn phí
1/6Dramatis Personae
Love's Labour's Lost (version 2)
TMOV II. 8
000 Scene VIII. Venice. A street.
TMOV II. 8 Enter Salarino and Salanio.
Salar. Why, man, I saw Bassanio under sail:
With him is Gratiano gone along;
And in their ship I am sure Lorenzo is not.
Salan. The villain Jew with outcries raised the Duke,
005 Who went with him to search Bassanio’s ship.
006 Salar. He came too late, the ship was under sail:
But there the Duke was given to understand
008 That in a gondola were seen together
009 Lorenzo and his amorous Jessica:
010 Besides, Antonio certified the Duke
They were not with Bassanio in his ship.
Salan. I never heard a passion so confused,
So strange, outrageous, and so variable,
As the dog Jew did utter in the streets:
015 ‘My daughter! O my ducats! O my daughter!
Fled with a Christian! O my Christian ducats!
Justice! the law! my ducats, and my daughter!
A sealed bag, two sealed bags of ducats,
Of double ducats, stolen from me by my daughter!
020 And jewels, two stones, two rich and precious stones,
Stolen by my daughter! Justice! find the girl!
She hath the stones upon her, and the ducats!’
Salar. Why, all the boys in Venice follow him,
Crying, his stones, his daughter, and his ducats.
025 Salan. Let good Antonio look he keep his day,
Or he shall pay for this.
Salar.
Marry, well remember’d.
I reason’d with a Frenchman yesterday,
Who told me, in the narrow seas that part
The French and English, there miscarried
030 A vessel of our country richly fraught:
I thought upon Antonio when he told me;
And wish’d in silence that it were not his.
Salan. You were best to tell Antonio what you hear;
034 Yet do not suddenly, for it may grieve him.
035 Salar. A kinder gentleman treads not the earth.
I saw Bassanio and Antonio part:
Bassanio told him he would make some speed
Of his return: he answer’d, ‘Do not so;
039 Slubber not business for my sake, Bassanio,
040 But stay the very riping of the time;
And for the Jew’s bond which he hath of me,
042 Let it not enter in your mind of love:
043 Be merry; and employ your chiefest thoughts
To courtship, and such fair ostents of love
045 As shall conveniently become you there:’
And even there, his eye being big with tears,
Turning his face, he put his hand behind him,
And with affection wondrous sensible
He wrung Bassanio’s hand; and so they parted.
050 Salan. I think he only loves the world for him.
I pray thee, let us go and find him out,
052 And quicken his embraced heaviness
With some delight or other.
Salar.
Do we so. [Exeunt.
Giới thiệu
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
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