Sách nói: Music Notation and Terminology
- Download 00 - Preface audio
- Download 01 - Some Principles of Correct Notation audio
- Download 02 - Symbols of Music Defined audio
- Download 03 - Symbols of Music Defined (continued) audio
- Download 04 - Abbreviations, Signs, etc. audio
- Download 05 - Abbreviations, Signs, etc. (continued) audio
- Download 06 - Embellishments audio
- Download 07 - Scales audio
- Download 08 - Scales (continued) audio
- Download 09 - Auxiliary Words and Endings audio
- Download 10 - Measure audio
- Download 11 - Tempo audio
- Download 12 - Tempo (continued) audio
- Download 13 - Dynamics audio
- Download 14 - Terms Relating to Forms and Styles audio
- Download 15 - Terms Relating to Forms and Styles (continued) audio
- Download 16 - Terms Relating to Vocal Music audio
- Download 17 - Rhythm, Melody, Harmony and Intervals audio
- Download 18 - Chords, Cadences, etc. audio
- Download 19 - Miscellaneous Terms audio
- Download 20 - Miscellaneous Terms (continued) audio
- Download 21 - Appendix A - The History of Music Notation audio
- Download 22 - Appendix B- Musical Instruments audio
- Download 23 - Appendix C - Acoustics audio
- Download 24 - Appendix D-Terminology Reform audio
- Download 25 - Appendix E- Analysis of Beethoven Sonata, Op. 31, No. 3 audio
- Download 26 - Pronouncing Index audio
Thể loại sách nói
Tác giả
Giới thiệu
Until relatively recently, music students at all levels of study—from the conservatories to public schools—had few resources available for the formal study of musical notation and terminology in the classroom. In fact, it was not until 1914, when Professor Karl Gehrkens at the Oberlin School of Music published this compilation of class notes and sources he collected over the years, that a uniform text became available for schools and universities everywhere. Since the publication of this monumental work, similar textbooks have emerged, but Dr. Gehrkens’ contribution remains thoroughly worthwhile—particularly since it provides not just the definitions of musical terms, but also the historical context of those terms. This inclusion enables students of music to better understand and remember those terms, and provides a platform from which Gehrkens argues for a uniform usage of musical terminology. Also included in the book are numerous musical excerpts, pictures, and actual analyses of musical examples.
Recommended for the musically curious as well as the serious musical student.
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