Love's Labour's Lost (version 2) - Бесплатная аудиокнига
1/6Dramatis Personae
Love's Labour's Lost (version 2)
As You Like It, II, 5.
As You Like It, II, 5.
1: Ami.] Capell. om. Ff.
greenwood] greenhood F4.
3: turn] F3 F4. turne F1 F2. tune Rowe (ed. 2).
6: Here] Cho. Here Capell.
he] we Capell (corrected in MS.).
11–13: Printed in Ff as three lines ending more...song...more.
14: ragged] rugged Rowe.
16: Come, more] Come, come Rowe.
stanzo...stanzos] stanza...stanzas Steevens (Capell conj.). stanze...stanzes Anon. conj.
18: owe] F1. owne F2. own F3 F4.
22: compliment] complement Ff.
28: drink] dine Rowe.
30–33: And......them] Printed as four lines ending him...company:...give...them. in Ff. First as prose by Pope.
34: [All together...] Altogether... Ff. om. Rowe.
35: live] lye F4.
39: Here] Cho. Here Capell.
39–41: Here......weather] F3 F4. Heere shall he see, &c. F1 F2.
39: he] you Rowe.
44, 45: Ami. And...it. Jaq. Thus it goes] Amy. And Ile sing it. Amy. Thus it goes. F1.
50, 54: Ducdame.........ducdame] Duc ad me....Duc ad me Hanmer. Huc ad me...Huc ad me Anon. ap. Steevens conj.
53: to me] to Ami. Steevens (Farmer conj.). to the same Anon. conj.
О книге
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Другие версии: Love's Labour's Lost (version 2)
- Love's Labour's Lost — читает несколько чтецов · Английский
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