Love's Labour's Lost (version 2) - Бесплатная аудиокнига
1/6Dramatis Personae
Love's Labour's Lost (version 2)
The Merchant of Venice, II, 7.
The Merchant of Venice, II, 7.
Scene vii.] Scene iii. Rowe. Scene viii. Pope.
[Flourish of cornets.] Flourish. Capell. om. Qq Ff. See note (iv).
Enter...] Enter Portia with Morrocho, and both their trains. Qq Ff.
5: many] Qq. om. Ff.
10: How...right?] This line is repeated in F1 F2.
12: withal] with all Collier.
18: threatens. Men] Rowe. threatens men Qq Ff.
21: nor give] Qq Ff. not give Rowe (ed. 2).
24: Morocco] Morrochius Pope.
26: thy] the F4.
29: afeard] afraid Q3 Q4.
34: deserve] deserve her Collier (Capell conj.).
41: vasty] Q1. vastie Q2 Q3 Q4. vaste F1 F2. vast F3 F4.
45: Spits] Spets Qq Ff.
51: rib] Q1 Ff. ribb Q2 Q3 Q4.
57: Stamped] Rowe (ed. 2). Stampt Qq Ff.
62: [He...casket.] om. Qq Ff.
62–64: O hell...scroll] As in Capell. As two lines ending Death ... scroll in Qq Ff.
64: I’ll...writing] Qq F1. omitted in F2 F3 F4.
69: tombs do] Capell (Johnson conj.). timber do Q1 F2 F4. timber doe Q2 F1 Q3 Q4. wood may Pope.
72: Your] This Johnson conj.
Here Holt White would repeat line 65, All ... gold.
77: [Exit...cornets.] Dyce. Exit. Qq Ff. See note (iv).
О книге
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Другие версии: Love's Labour's Lost (version 2)
- Love's Labour's Lost — читает несколько чтецов · Английский
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