Аудиокнига: Mosses from an Old Manse
- Download 01 - The Old Manse - Part 1 audio
- Download 02 - The Old Manse - Part 2 audio
- Download 03 - The Old Manse - Part 3 audio
- Download 04 - The Birthmark audio
- Download 05 - A Select Party audio
- Download 06 - Young Goodman Brown audio
- Download 07 - Rappaccini's Daughter: Part 1 audio
- Download 08 - Rappaccini's Daughter: Part 2 audio
- Download 09 - Mrs. Bullfrog audio
- Download 10 - The Celestial Railroad audio
- Download 11 - The Procession Of Life audio
- Download 12 - Feathertop: A Moralized Legend audio
- Download 13 - Egotism; Or, The Bosom Serpent audio
- Download 14 - Drowne's Wooden Image audio
- Download 15 - Roger Malvin's Burial audio
- Download 16 - The Artist Of The Beautiful: Part 1 audio
- Download 17 - The Artist Of The Beautiful: Part 2 audio
- Download 18 - Fire-Worship audio
- Download 19 - Buds and Bird-Voices audio
- Download 20 - Monsieur du Miroir audio
- Download 21 - The Hall of Fantasy audio
- Download 22 - The New Adam and Eve audio
- Download 23 - The Christmas Banquet audio
- Download 24 - The Intelligence Office audio
- Download 25 - P.'s Correspondence audio
- Download 26 - Earth's Holocaust audio
- Download 27 - Passages from a Relinquished Work audio
- Download 28 - Sketches From Memory audio
- Download 29 - The Old Apple-Dealer audio
- Download 30 - A Virtuoso's Collection audio
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"Mosses from an Old Manse" is a short story collection by Nathaniel Hawthorne, first published in 1846. The collection includes several previously-published short stories and is named in honor of The Old Manse where Hawthorne and his wife lived for the first three years of their marriage. A second edition was published in 1854, which added "Feathertop," "Passages from a Relinquished Work, and "Sketches from Memory."
Many of the tales collected in "Mosses from an Old Manse" are allegories and, typical of Hawthorne, focus on the negative side of human nature. Hawthorne's friend Herman Melville noted this aspect in his review "Hawthorne and His Mosses": "This black conceit pervades him through and through. You may be witched by his sunlight, transported by the bright gildings in the skies he builds over you; but there is the blackness of darkness beyond; and even his bright gildings but fringe and play upon the edges of thunder-clouds." William Henry Channing reviewed the collection in The Harbinger and noted that its author "had been baptized in the deep waters of Tragedy" and his work was dark with only brief moments of "serene brightness" which was never brighter than "dusky twilight". (
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