Love's Labour's Lost (version 2) - Audiolibro Gratis
1/6Dramatis Personae
Love's Labour's Lost (version 2)
AYLI II. 6
Scene VI. The forest.
AYLI II. 6 Enter Orlando and Adam.
001 Adam. Dear master, I can go no further: O, I die for food! Here lie I down, and measure out my grave. Farewell, kind master.
004 Orl. Why, how now, Adam! no greater heart in thee? 005 Live a little; comfort a little; cheer thyself a little. If this uncouth forest yield any thing savage, I will either be food for it or bring it for food to thee. Thy conceit is nearer 008 death than thy powers. For my sake be comfortable; hold 009 death awhile at the arm’s end: I will here be with thee 010 presently; and if I bring thee not something to eat, I will give thee leave to die: but if thou diest before I come, thou art 012 a mocker of my labour. Well said! thou lookest cheerly, and I’ll be with thee quickly. Yet thou liest in the bleak air: come, I will bear thee to some shelter; and thou shalt 015 not die for lack of a dinner, if there live any thing in this desert. Cheerly, good Adam! [Exeunt.
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Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Otras versiones de Love's Labour's Lost (version 2)
- Love's Labour's Lost — narrado por varios narradores · Inglés
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