Love's Labour's Lost (version 2) - Audiolibro Gratis
1/6Dramatis Personae
Love's Labour's Lost (version 2)
AYLI II. 5
Scene V. The forest.
AYLI II. 5 Enter Amiens, Jaques, and others.
Song.
001 Ami.
Under the greenwood tree
Who loves to lie with me,
003 And turn his merry note
Unto the sweet bird’s throat,
005 Come hither, come hither, come hither:
006 Here shall he see
No enemy
But winter and rough weather.
Jaq. More, more, I prithee, more.
010 Ami. It will make you melancholy, Monsieur Jaques.
011 Jaq. I thank it. More, I prithee, more. I can suck melancholy out of a song, as a weasel sucks eggs. More, I prithee, more.
014 Ami. My voice is ragged: I know I cannot please you.
015 Jaq. I do not desire you to please me; I do desire you to 016 sing. Come, more; another stanzo: call you ’em stanzos?
Ami. What you will, Monsieur Jaques.
018 Jaq. Nay, I care not for their names; they owe me nothing. Will you sing?
020 Ami. More at your request than to please myself.
Jaq. Well then, if ever I thank any man, I’ll thank 022 you; but that they call compliment is like the encounter of two dog-apes, and when a man thanks me heartily, methinks I have given him a penny and he renders me the 025 beggarly thanks. Come, sing; and you that will not, hold your tongues.
Ami. Well, I’ll end the song. Sirs, cover the while; 028 the Duke will drink under this tree. He hath been all this day to look you.
030 Jaq. And I have been all this day to avoid him. He is too disputable for my company: I think of as many matters as he; but I give heaven thanks, and make no boast of them. Come, warble, come.
Song.
034 Who doth ambition shun, [All together here.
035 And loves to live i’ the sun,
Seeking the food he eats,
And pleased with what he gets,
Come hither, come hither, come hither:
039 Here shall he see
040 No enemy
But winter and rough weather.
Jaq. I’ll give you a verse to this note, that I made yesterday in despite of my invention.
044 Ami. And I’ll sing it.
045 Jaq. Thus it goes:—
If it do come to pass
That any man turn ass,
Leaving his wealth and ease
A stubborn will to please,
050 Ducdame, ducdame, ducdame:
Here shall he see
Gross fools as he,
053 An if he will come to me.
Ami. What’s that ‘ducdame’?
055 Jaq. ’Tis a Greek invocation, to call fools into a circle. I’ll go sleep, if I can; if I cannot, I’ll rail against all the first-born of Egypt.
Ami. And I’ll go seek the Duke: his banquet is prepared. [Exeunt severally.
Acerca de
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Otras versiones de Love's Labour's Lost (version 2)
- Love's Labour's Lost — narrado por varios narradores · Inglés
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