Love's Labour's Lost (version 2) - Audiolibro Gratis
1/6Dramatis Personae
Love's Labour's Lost (version 2)
The Merchant of Venice, I, 2.
The Merchant of Venice, I, 2.
Scene ii. Belmont...house.] Capell. Three caskets are set out, one of gold, another of silver, and another of lead. Rowe.
Enter...] Enter P. with her waiting woman N. Qq Ff (wating. Q3 Q4).
1: aweary] weary F3 F4.
6, 7: It is no mean happiness, therefore] Qq. It is no small happiness therefore F1 F2 F3. therefore it is no small happiness F4. therefore it is no mean happiness Theobald.
13: It] He Pope.
15: than be] Ff. then to be Qq.
19: reasoning] Qq. reason Ff.
in] om. Mason conj.
the fashion] Qq. fashion Ff.
20, 21: whom...whom] Ff. who...who Qq.
22: Is it] it is F1.
28: will, no doubt, never] Q2 Ff Q3 Q4. no doubt you wil never Q1.
29: who] Q1. who you Q2 Ff Q3 Q4. whom you Pope.
32, 84: pray thee] prethee Q1.
36: colt] dolt Theobald.
37: appropriation to] appropriation unto Q1. approbation of Collier (Collier MS.).
38: him] om. Q1.
39: afeard] Qq. afraid Ff.
40: there is] Q1. is there Q2 Ff Q3 Q4.
40, 52: Palatine] Q1. Palentine Q2 Ff Q3 Q4.
42: if] Q1. & Q2. and Ff Q3 Q4.
45: be] Qq. to be Ff.
49: Bon] Boune Qq F1 F2. Boun F3 F4.
51: a sin] Qq F1. sin F2 F3 F4.
54: throstle] Pope, trassell Qq F1. tarssell F2. tassell F3 F4.
58: shall] Qq. should Ff.
59: you] om. Capell (corrected in MS.).
63: will] may Pope.
64: the English] English Rowe.
69: Scottish] Qq. other Ff. Irish Collier MS.
71: swore] sworne F2.
79: an the worst] and the worst Qq Ff. and, the worst Hanmer.
87: I’ll] ile Q1. I will Q2 Ff Q3 Q4.
90: determinations] determination Rowe.
93: your] you F2.
99: I pray God grant them] Qq. I wish them Ff. wish them Rowe.
101: a scholar] scholler Q1.
103: he was so] Q1. so was he Q2 Ff Q3 Q4.
109: How now! what news?] Qq. omitted in Ff.
110: seek for you] Qq. seek you Ff.
114: a] Q1. om Q2 Ff Q3 Q4.
118, 119: Printed as prose in Qq Ff; first as verse by Knight.
120: gates] Q1. gate Q2 Ff Q3 Q4.
Acerca de
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Otras versiones de Love's Labour's Lost (version 2)
- Love's Labour's Lost — narrado por varios narradores · Inglés
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