Love's Labour's Lost (version 2) - Audiolibro Gratis
1/6Dramatis Personae
Love's Labour's Lost (version 2)
TMOV III. 2
000 Scene II. Belmont. A room in Portia’s house.
TMOV III. 2 Enter Bassanio, Portia, Gratiano, Nerissa, and Attendants.
001 Por. I pray you, tarry: pause a day or two
Before you hazard; for, in choosing wrong,
003 I lose your company: therefore forbear awhile.
There’s something tells me, but it is not love,
005 I would not lose you; and you know yourself,
Hate counsels not in such a quality.
But lest you should not understand me well,—
And yet a maiden hath no tongue but thought,—
I would detain you here some month or two
010 Before you venture for me. I could teach you
011 How to choose right, but I am then forsworn;
So will I never be: so may you miss me;
But if you do, you’ll make me wish a sin,
That I had been forsworn. Beshrew your eyes,
015 They have o’er-look’d me, and divided me;
016 One half of me is yours, the other half yours.
017 Mine own, I would say; but if mine, then yours,
018 And so all yours! O, these naughty times
019 Put bars between the owners and their rights!
020 And so, though yours, not yours. Prove it so,
021 Let fortune go to hell for it, not I.
022 I speak too long; but ’tis to peize the time,
023 To eke it and to draw it out in length,
To stay you from election.
Bass.
Let me choose;
025 For as I am, I live upon the rack.
Por. Upon the rack, Bassanio! then confess
What treason there is mingled with your love.
Bass. None but that ugly treason of mistrust,
Which makes me fear the enjoying of my love:
030 There may as well be amity and life
’Tween snow and fire, as treason and my love.
Por. Ay, but I fear you speak upon the rack,
033 Where men enforced do speak any thing.
Bass. Promise me life, and I’ll confess the truth.
Por. Well then, confess and live.
Bass.
035 ‘Confess,’ and ‘love,’
Had been the very sum of my confession:
O happy torment, when my torturer
Doth teach me answers for deliverance!
But let me to my fortune and the caskets.
040 Por. Away, then! I am lock’d in one of them:
If you do love me, you will find me out.
Nerissa and the rest, stand all aloof.
Let music sound while he doth make his choice;
044 Then, if he lose, he makes a swan-like end,
045 Fading in music: that the comparison
046 May stand more proper, my eye shall be the stream,
And watery death-bed for him. He may win;
And what is music then? Then music is
Even as the flourish when true subjects bow
050 To a new-crowned monarch: such it is
As are those dulcet sounds in break of day
That creep into the dreaming bridegroom’s ear,
And summon him to marriage. Now he goes,
054 With no less presence, but with much more love,
055 Than young Alcides, when he did redeem
The virgin tribute paid by howling Troy
To the sea-monster: I stand for sacrifice;
The rest aloof are the Dardanian wives,
With bleared visages, come forth to view
060 The issue of the exploit. Go, Hercules!
061 Live thou, I live: with much much more dismay
062 I view the fight than thou that makest the fray.
Music, whilst Bassanio comments on the caskets to himself.
Song.
063 Tell me where is fancy bred,
Or in the heart or in the head?
065 How begot, how nourished?
066 Reply, reply.
067 It is engender’d in the eye,
With gazing fed; and fancy dies
In the cradle where it lies.
070 Let us all ring fancy’s knell;
071 I’ll begin it,—Ding, dong, bell.
All. Ding, dong, bell.
Bass. So may the outward shows be least themselves:
The world is still deceived with ornament.
075 In law, what plea so tainted and corrupt,
But, being seasoned with a gracious voice,
Obscures the show of evil? In religion,
What damned error, but some sober brow
Will bless it, and approve it with a text,
080 Hiding the grossness with fair ornament?
081 There is no vice so simple, but assumes
082 Some mark of virtue on his outward parts:
How many cowards, whose hearts are all as false
As stairs of sand, wear yet upon their chins
085 The beards of Hercules and frowning Mars;
Who, inward search’d, have livers white as milk;
And these assume but valour’s excrement
To render them redoubted! Look on beauty,
And you shall see ’tis purchased by the weight;
090 Which therein works a miracle in nature,
Making them lightest that wear most of it:
So are those crisped snaky golden locks
093 Which make such wanton gambols with the wind,
Upon supposed fairness, often known
095 To be the dowry of a second head,
The skull that bred them in the sepulchre.
097 Thus ornament is but the guiled shore
To a most dangerous sea; the beauteous scarf
099 Veiling an Indian beauty; in a word,
100 The seeming truth which cunning times put on
101 To entrap the wisest. Therefore, thou gaudy gold,
102 Hard food for Midas, I will none of thee;
103 Nor none of thee, thou pale and common drudge
’Tween man and man: but thou, thou meagre lead,
105 Which rather threatenest than dost promise aught,
106 Thy paleness moves me more than eloquence;
And here choose I: joy be the consequence!
Por. [Aside] 108 How all the other passions fleet to air,
As doubtful thoughts, and rash-embraced despair,
110 And shuddering fear, and green-eyed jealousy!
111 O love, be moderate; allay thy ecstasy;
112 In measure rein thy joy; scant this excess!
I feel too much thy blessing: make it less,
114 For fear I surfeit!
Bass.
What find I here? [Opening the leaden casket.
115 Fair Portia’s counterfeit! What demi-god
Hath come so near creation? Move these eyes?
117 Or whether, riding on the balls of mine,
Seem they in motion? Here are sever’d lips,
119 Parted with sugar breath: so sweet a bar
120 Should sunder such sweet friends. Here in her hairs
The painter plays the spider, and hath woven
122 A golden mesh to entrap the hearts of men,
Faster than gnats in cobwebs: but her eyes,—
How could he see to do them? having made one,
125 Methinks it should have power to steal both his
126 And leave itself unfurnish’d. Yet look, how far
The substance of my praise doth wrong this shadow
In underprizing it, so far this shadow
Doth limp behind the substance. Here’s the scroll,
130 The continent and summary of my fortune.
[Reads]
You that choose not by the view,
Chance as fair, and choose as true!
Since this fortune falls to you,
Be content and seek no new.
135 If you be well pleased with this,
And hold your fortune for your bliss,
Turn you where your lady is,
And claim her with a loving kiss.
A gentle scroll. Fair lady, by your leave;
140 I come by note, to give and to receive.
Like one of two contending in a prize,
That thinks he hath done well in people’s eyes,
Hearing applause and universal shout,
144 Giddy in spirit, still gazing in a doubt
145 Whether those peals of praise be his or no;
So, thrice-fair lady, stand I, even so;
As doubtful whether what I see be true,
Until confirm’d, sign’d, ratified by you.
149 Por. You see me, Lord Bassanio, where I stand,
150 Such as I am: though for myself alone
I would not be ambitious in my wish,
To wish myself much better; yet, for you
I would be trebled twenty times myself;
154 A thousand times more fair, ten thousand times
155 More rich;
156 That only to stand high in your account,
I might in virtues, beauties, livings, friends,
Exceed account; but the full sum of me
159 Is sum of something, which, to term in gross,
160 Is an unlesson’d girl, unschool’d, unpractised;
Happy in this, she is not yet so old
162 But she may learn; happier than this,
She is not bred so dull but she can learn;
164 Happiest of all is that her gentle spirit
165 Commits itself to yours to be directed,
As from her lord, her governor, her king.
Myself and what is mine to you and yours
168 Is now converted: but now I was the lord
169 Of this fair mansion, master of my servants,
170 Queen o’er myself; and even now, but now,
This house, these servants, and this same myself,
172 Are yours, my lord: I give them with this ring;
Which when you part from, lose, or give away,
Let it presage the ruin of your love,
175 And be my vantage to exclaim on you.
Bass. Madam, you have bereft me of all words,
Only my blood speaks to you in my veins;
And there is such confusion in my powers,
As, after some oration fairly spoke
180 By a beloved prince, there doth appear
Among the buzzing pleased multitude;
Where every something, being blent together,
Turns to a wild of nothing, save of joy,
Express’d and not express’d. But when this ring
185 Parts from this finger, then parts life from hence:
186 O, then be bold to say Bassanio’s dead!
Ner. My lord and lady, it is now our time,
That have stood by and seen our wishes prosper,
To cry, good joy: good joy, my lord and lady!
190 Gra. My Lord Bassanio and my gentle lady,
I wish you all the joy that you can wish;
For I am sure you can wish none from me:
And when your honours mean to solemnize
The bargain of your faith, I do beseech you,
195 Even at that time I may be married too.
Bass. With all my heart, so thou canst get a wife.
197 Gra. I thank your lordship, you have got me one.
My eyes, my lord, can look as swift as yours:
You saw the mistress, I beheld the maid;
200 You loved, I loved for intermission.
No more pertains to me, my lord, than you.
202 Your fortune stood upon the casket there,
And so did mine too, as the matter falls;
204 For wooing here until I sweat again,
205 And swearing till my very roof was dry
With oaths of love, at last, if promise last,
I got a promise of this fair one here
To have her love, provided that your fortune
Achieved her mistress.
Por.
Is this true, Nerissa?
210 Ner. Madam, it is, so you stand pleased withal.
Bass. And do you, Gratiano, mean good faith?
Gra. Yes, faith, my lord.
Bass. Our feast shall be much honour’d in your marriage.
Gra. We’ll play with them the first boy for a thousand 215 ducats.
Ner. What, and stake down?
Gra. No; we shall ne’er win at that sport, and stake down.
220 But who comes here? Lorenzo and his infidel?
221 What, and my old Venetian friend Salerio?
Enter Lorenzo, Jessica, and Salerio, a Messenger from Venice.
Bass. Lorenzo and Salerio, welcome hither;
If that the youth of my new interest here
Have power to bid you welcome. By your leave,
225 I bid my very friends and countrymen,
Sweet Portia, welcome.
Por.
So do I, my lord:
They are entirely welcome.
Lor. I thank your honour. For my part, my lord,
My purpose was not to have seen you here;
230 But meeting with Salerio by the way,
He did entreat me, past all saying nay,
To come with him along.
Saler.
232 I did, my lord;
And I have reason for it. Signior Antonio
234 Commends him to you. [Gives Bassanio a letter.
Bass.
Ere I ope his letter,
235 I pray you, tell me how my good friend doth.
Saler. Not sick, my lord, unless it be in mind;
Nor well, unless in mind: his letter there
238 Will show you his estate.
239 Gra. Nerissa, cheer yon stranger; bid her welcome.
240 Your hand, Salerio: what’s the news from Venice?
How doth that royal merchant, good Antonio?
I know he will be glad of our success;
We are the Jasons, we have won the fleece.
244 Saler. I would you had won the fleece that he hath lost.
245 Por. There are some shrewd contents in yon same paper,
246 That steals the colour from Bassanio’s cheek:
Some dear friend dead; else nothing in the world
Could turn so much the constitution
Of any constant man. What, worse and worse!
250 With leave, Bassanio; I am half yourself,
251 And I must freely have the half of any thing
That this same paper brings you.
Bass.
O sweet Portia,
Here are a few of the unpleasant’st words
That ever blotted paper! Gentle lady,
255 When I did first impart my love to you,
I freely told you, all the wealth I had
Ran in my veins, I was a gentleman;
And then I told you true: and yet, dear lady,
Rating myself at nothing, you shall see
260 How much I was a braggart. When I told you
My state was nothing, I should then have told you
That I was worse than nothing; for, indeed,
I have engaged myself to a dear friend,
Engaged my friend to his mere enemy,
265 To feed my means. Here is a letter, lady;
266 The paper as the body of my friend,
And every word in it a gaping wound,
Issuing life-blood. But is it true, Salerio?
269 Have all his ventures fail’d? What, not one hit?
270 From Tripolis, from Mexico, and England,
From Lisbon, Barbary, and India?
272 And not one vessel scape the dreadful touch
Of merchant-marring rocks?
Saler.
Not one, my lord.
Besides, it should appear, that if he had
275 The present money to discharge the Jew,
He would not take it. Never did I know
A creature, that did bear the shape of man,
So keen and greedy to confound a man:
He plies the Duke at morning and at night;
280 And doth impeach the freedom of the state,
If they deny him justice: twenty merchants,
The Duke himself, and the magnificoes
Of greatest port, have all persuaded with him;
But none can drive him from the envious plea
285 Of forfeiture, of justice, and his bond.
Jes. When I was with him I have heard him swear
To Tubal and to Chus, his countrymen,
That he would rather have Antonio’s flesh
Than twenty times the value of the sum
290 That he did owe him: and I know, my lord,
If law, authority and power deny not,
It will go hard with poor Antonio.
Por. Is it your dear friend that is thus in trouble?
Bass. The dearest friend to me, the kindest man,
295 The best-condition’d and unwearied spirit
In doing courtesies; and one in whom
The ancient Roman honour more appears
Than any that draws breath in Italy.
Por. What sum owes he the Jew?
Bass. For me three thousand ducats.
Por.
300 What, no more?
Pay him six thousand, and deface the bond;
Double six thousand, and then treble that,
303 Before a friend of this description
304 Shall lose a hair through Bassanio’s fault.
305 First go with me to church and call me wife,
And then away to Venice to your friend;
For never shall you lie by Portia’s side
With an unquiet soul. You shall have gold
To pay the petty debt twenty times over:
310 When it is paid, bring your true friend along.
My maid Nerissa and myself meantime
Will live as maids and widows. Come, away!
For you shall hence upon your wedding-day:
314 Bid your friends welcome, show a merry cheer:
315 Since you are dear bought, I will love you dear.
But let me hear the letter of your friend.
Bass. [reads] 317 Sweet Bassanio, my ships have all miscarried, my creditors grow cruel, my estate is very low, my bond to the Jew is forfeit; and since in paying it, it is impossible I should live, all 320 debts are cleared between you and I, if I might but see you at my death. Notwithstanding, use your pleasure: if your love do not persuade you to come, let not my letter.
323 Por. O love, dispatch all business, and be gone!
Bass. Since I have your good leave to go away,
325 I will make haste: but, till I come again,
No bed shall e’er be guilty of my stay,
327 No rest be interposer ’twixt us twain. [Exeunt.
Acerca de
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Otras versiones de Love's Labour's Lost (version 2)
- Love's Labour's Lost — narrado por varios narradores · Inglés
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