Love's Labour's Lost (version 2) - Audiolibro Gratis
1/6Dramatis Personae
Love's Labour's Lost (version 2)
TMOV II. 5
000 Scene V. The same. Before Shylock’s house.
TMOV II. 5 Enter Shylock and Launcelot.
001 Shy. Well, thou shalt see, thy eyes shall be thy judge,
The difference of old Shylock and Bassanio:—
What, Jessica!—thou shalt not gormandise,
As thou hast done with me:—What, Jessica!—
005 And sleep and snore, and rend apparel out;—
Why, Jessica, I say!
Laun.
Why, Jessica!
007 Shy. Who bids thee call? I do not bid thee call.
008 Laun. Your worship was wont to tell me that I could
do nothing without bidding.
Enter Jessica.
010 Jes. Call you? what is your will?
Shy. I am bid forth to supper, Jessica:
There are my keys. But wherefore should I go?
I am not bid for love; they flatter me:
But yet I’ll go in hate, to feed upon
015 The prodigal Christian. Jessica, my girl,
Look to my house. I am right loath to go:
There is some ill a-brewing towards my rest,
For I did dream of money-bags to-night.
Laun. I beseech you, sir, go: my young master doth 020 expect your reproach.
Shy. So do I his.
Laun. And they have conspired together, I will not say you shall see a masque; but if you do, then it was not for nothing that my nose fell a-bleeding on Black-Monday 025 last at six o’clock i’ the morning, falling out that year on Ash-Wednesday was four year, in the afternoon.
027 Shy. What, are there masques? Hear you me, Jessica:
Lock up my doors; and when you hear the drum,
029 And the vile squealing of the wry-neck’d fife,
030 Clamber not you up to the casements then,
Nor thrust your head into the public street
To gaze on Christian fools with varnish’d faces;
But stop my house’s ears, I mean my casements:
Let not the sound of shallow foppery enter
035 My sober house. By Jacob’s staff, I swear
I have no mind of feasting forth to-night:
But I will go. Go you before me, sirrah;
Say I will come.
039 Laun. I will go before, sir. Mistress, look out at 040 window, for all this;
There will come a Christian by,
042 Will be worth a Jewess’ eye. [Exit.
Shy. What says that fool of Hagar’s offspring, ha?
Jes. His words were, ‘Farewell, mistress;’ nothing else.
045 Shy. The patch is kind enough, but a huge feeder;
046 Snail-slow in profit, and he sleeps by day
More than the wild-cat: drones hive not with me;
Therefore I part with him; and part with him
To one that I would have him help to waste
050 His borrow’d purse. Well, Jessica, go in:
Perhaps I will return immediately:
052 Do as I bid you; shut doors after you:
053 Fast bind, fast find,
A proverb never stale in thrifty mind. [Exit.
055 Jes. Farewell; and if my fortune be not crost,
I have a father, you a daughter, lost. [Exit.
Acerca de
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Otras versiones de Love's Labour's Lost (version 2)
- Love's Labour's Lost — narrado por varios narradores · Inglés
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