Love's Labour's Lost (version 2) - Audiolibro Gratis
1/6Dramatis Personae
Love's Labour's Lost (version 2)
A Midsummer-Night’s Dream, III, 2.
A Midsummer-Night’s Dream, III, 2.
Scene ii.] Scene iv. Pope.
Enter Oberon.] Enter King of Fairies and Robin Goodfellow. Qq. Enter King of Fairies (Pharies F1), solus Ff.
3: Enter Puck.] Ff. om. Qq.
4: spirit] sprite Pope.
5: haunted] gaunted F1.
6, 7: love. Near...bower,] Rowe. love, Neare...bower. Q1 love, Neere...bower, Q2 Ff.
13: thick-skin] thick-skull Hanmer.
17: nole] nowl Johnson.
19: mimic] Mimmick F1 F2 F3. Mimick F4. Minnick Q1. Minnock Q2. mammock Ritson conj.
21: russet-pated] Q1 F4. russed-pated Q2 F1 F2 F3.
25: our stamp] a stump Johnson (Theobald conj.).
30: yielders] F3 F4. yeelders Qq F1 F2.
36: latch’d] latcht Q1 F3 F4. lacht Q2 F1 F2. lech’d Hanmer. laced Anon. conj.
40: waked] wak’t Qq Ff. wakes Pope.
41: Scene v. Pope.
48, 49: Being...too] Printed as one line in Qq Ff. Corrected by Rowe (ed. 2).
48: the deep] knee deep Phelps (Coleridge conj.).
52: From] Frow Q1.
54: displease] disease Hanmer.
55: with the] i’ th’ Warburton.
57: dead] dread Pope.
58: murder’d] murthered Q1. murdered Q2. murderer Ff.
60: look] looke Qq. looks Ff.
64: I had] Q1. Ide Q2. I’de Ff. I’d Rowe. I’ad Pope.
65: bounds] bonds Q2.
68: tell true, tell true] Q1. tell true Q2 F1. tell true, and F2 F3 F4.
69: have] Qq. a Ff.
70: touch] tutch Qq Ff.
72: An] And F2.
74: on] in Steevens conj.
on a misprised mood] in a misprised flood Collier MS.
80, 81: part I so: See me no more, whether] Pope. part I: see me no more; Whether Qq Ff.
85: sleep] Rowe. slippe Q1. slip Q2 Ff.
87: [Lies down and sleeps.] Collier. [Ly doune. Q1. [Lie downe. Q2 Ff.
88: Scene vi. Pope.
94: Obe.] Ob. Qq F1 F3 F4. Rob. F2.
97: costs] Qq Ff. cost Hanmer.
99: do] Qq. doth Ff.
100: look] look, master, Hanmer.
101: [Exit] Q2 Ff. om. Q1.
109: her] her, Q1.
122: Scene vii. Pope.
123: come] Qq. comes Ff.
137: [Awaking.] om. Qq. Awa. Ff (at the end of line 136).
143, 144: O...white, this] This...white—O Becket conj.
144: princess] pureness Hanmer. impress Collier MS.
145: all are] Qq. are all Ff.
150: you must join in souls] you must join in flouts Hanmer. must join insolents Warburton. you must join in soul Mason conj. you must join, ill souls, Tyrwhitt conj.
151: were] Qq. are Ff.
164: here] heare Q1.
166: of] in Collier (Collier MS.).
167: will do] will love Edd. conj.
till] Q1. to Q2 Ff.
171: to her] with her Johnson.
172: is it] Q1. it is Q2 Ff.
173: There] There ever Pope.
Helen,] Q1. om. Q2 Ff.
175: aby] Q1. abide Q2 Ff.
dear] here S. Walker conj.
177: Scene viii. Pope.
182: thy] Qq. that Ff.
188: oes] orbs Grey conj.
190: bear] F4. bare Qq F1 F2 F3.
199: sisters’] sisters Qq Ff. sister Capell.
201: O, is all] Qq F1. O, and is all F2 F3 F4. O, is all now Malone. O, now is all Reed. O, is it all Spedding conj.
202: school-days’] school-day Capell.
childhood] childhoods F3 F4.
204: Have...created both] Created with our needles both Pope. See note (v).
needles] neelds Steevens.
210: yet] om. F3 F4.
an] Qq F4. a F1 F2 F3.
211: lovely] loving Collier MS.
213: first, like] Theobald (Folkes conj.). first life Qq Ff.
213, 214: Omitted in Collier MS.
215: rent] rend Rowe.
218: for it] for’t S. Walker conj.
220: I am amazed at your passionate words] Ff. I am amazed at your words Qq. Helen, I am amazed at your words Pope.
237: Ay, do, persever] I do, persever Q2 Ff. I doe. Persever Q1. Ay, do, persevere Rowe.
238: Make mouths] Make mows Steevens.
241: have] had Collier (Collier MS.).
243: my] Q1. mine Q2 Ff.
246: my life] Qq F1. omitted in F2 F3 F4.
250: prayers] Theobald. praise Qq Ff. prays Capell (Theobald conj.).
257: Ethiope] Ethiope you Heath conj.
257, 258: No, no; He’ll...Seem to break loose] Edd. No, no; heele Seeme to breake loose Q1. No, no, hee’l seeme to breake loose (as one line) Q2. No, no, sir, seem to break loose (as one line) Ff. No, no he’ll seem To break away Pope. No, no; he’ll not come.—Seem to break loose Capell. No, no; he’ll—sir, Seem to break loose Malone. No, no; sir:—he will Seem to break loose Steevens. No, no, he’ll not stir: Seem to break loose Jackson conj. See note (iii).
258: you] he Pope.
260: burr] bur Qq F1. but F2 F3 F4.
264: hated] Pope. O hated Qq Ff.
potion] Q1. poison Q2 Ff.
271: hate] harm F4.
272: news] means Singer (Collier MS.)
279: of doubt] doubt Pope. om. Anon conj.
282: juggler! you] jugler, you! you Capell.
289: why so?] Qq Ff. why, so: Theobald.
way goes] ways go Rowe.
292: tall personage] tall parsonage Q2.
299: gentlemen] gentleman Q1.
304: she is] Qq F1 F2 F3. she’s F4.
320: Hel.] Her. F1 F2.
321: shall] will F4.
Helena] Helen Anon. conj.
323: she’s] Q2 Ff. she is Q1.
329: You minimus] You minim, you Theobald conj.
335: aby] Q1. abie Q2. abide Ff.
337: Of] Or Theobald. See note (iv).
Of...mine] Of mine or thine Malone conj.
340: you, I] you Rowe (ed. 1).
344: I...say] omitted in Ff.
[Exit.] Exit pursuing Helena. Malone.
345: Scene ix. Pope.
Enter Oberon and Puck. Ff.
346: wilfully] Qq. willingly Ff.
349: had] Q1. hath Q2 Ff.
351: ’nointed] nointed Qq Ff.
352: so did] did so Rowe.
357: fog] fogs Warburton.
368: his] its Rowe.
374: employ] imploy Q1 F4. apply Q2. imply F1 F2 F3.
379: night’s swift] Q1. night swift Q2. night-swift F1. nights-swift F2 F3 F4.
386: exile] exil’d Theobald conj., making Oberon’s speech begin with this line.
389: morning’s love] Qq F1. morning love F2 F3 F4. morning-love Rowe (ed. 1). morning-light Id. (ed. 2).
392: fair blessed] far-blessing Hanmer (Warburton).
393: salt green] sea-green Grey conj.
394: notwithstanding,] Q1. not-withstanding Q2 Ff.
396, 437, 448: Puck.] Puck [sings]. Anon. conj.
406: Speak! In some bush?] Capell. Speak in some bush. Qq. Speak in some bush: Ff.
413: Re-enter...] om. Qq Ff.
414: calls, then he is] Q1. call’s then he’s Q2 F1. calls me, then he’s F2 F3 F4.
416: [Shifting places. Ff.
418: [Lies down.] Lie down. Ff. om. Qq.
420: [Sleeps.] Capell.
421: Ho, ho, ho!] Ho, ho; ho, ho! Capell.
425: now] Q1. om. Q2 Ff.
426: buy] Qq Ff. ’by Collier (Johnson conj.).
430: [Lies...] Capell.
431: Scene x. Pope.
432: Shine comforts] Q2 Ff. Shine comforts, Q1. Shine, comforts, Theobald.
435: sometimes] Qq F3 F4. sometime F1 F2.
436: [Lies...] Sleep. Qq Ff.
437: three?] three here? Hanmer.
438: makes] Qq F1 F2 F4. make F3.
439: comes] cometh Hanmer.
442: Re-enter...] Enter H. after line 440. F1 F2.
447: Heavens] Heaven Anon. conj.
[Lies...] om. Qq Ff.
449: Sleep] Sleep thou Capell. Sleep you Seymour conj.
451: To your eye] Rowe. your eye Qq Ff.
452: [Squeezing...] Rowe.
454: Thou] Then thou Seymour conj. See thou Tyrwhitt conj.
takest] Qq F1 F4. rak’st F2 F3.
463: well] still Steevens conj.
[They sleep all the Act. Ff.
Acerca de
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Otras versiones de Love's Labour's Lost (version 2)
- Love's Labour's Lost — narrado por varios narradores · Inglés
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