Love's Labour's Lost (version 2) - Free Audiobook
1/6Dramatis Personae
Love's Labour's Lost (version 2)
The Merchant of Venice, II, 5.
The Merchant of Venice, II, 5.
Scene v.] Scene vi. Pope.
Enter S. and L.] Enter the Jew and Lancelet. Q1. Enter Jew and his man that was the Clown. Q2 Ff Q3 Q4.
1: shalt] shall F1 F2.
7: do] Qq Ff. did Rowe.
8: that] Q1. om. Q2 Ff Q3 Q4.
8, 9: Printed in Q2 Ff Q3 Q4 as two lines, ending me...bidding.
25: i’ the] in the Q1. ith Q2 F1 F2 Q3 Q4. ith’ F3. i’ th’ F4.
27: What, are there] Q1. What are there Q2 Q3 Q4. What are their Ff. What are these Pope.
you] om. Q1.
29: squealing] Q2 Ff Q3 Q4. squeaking Q1.
wry-neck’d] wry-neck Chedworth conj.
39: I will go before] I’ll go before you S. Walker conj.
at] at a Q1.
42: Jewess’] Pope. Jewes Qq F1 F2. Jew’s F3 F4.
46: and he] Qq. but he F1. but F2 F3 F4.
52, 53: Do...find] Q1; printed as one line in Q2 Ff Q3 Q4; bye Theobald as two lines, ending bid you...find.
52: Do...bid you] om. Pope.
doors] the doors Pope, who prints as one line Shut...find.
53: Fast...fast] safe...safe Collier Ms.
About
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Other versions of Love's Labour's Lost (version 2)
- Love's Labour's Lost — narrated by multiple narrators · English
Comments
Be the first to comment
There aren't any comments on this content yet. Start the conversation!













