Love's Labour's Lost (version 2) - Free Audiobook
1/6Dramatis Personae
Love's Labour's Lost (version 2)
TMOV III. 5
000 Scene V. The same. A garden.
TMOV III. 5 Enter Launcelot and Jessica.
Laun. Yes, truly; for, look you, the sins of the father 002 are to be laid upon the children: therefore, I promise ye, 003 I fear you. I was always plain with you, and so now I speak my agitation of the matter: therefore be of good 005 cheer; for, truly, I think you are damned. There is but one hope in it that can do you any good; and that is but a kind of bastard hope neither.
Jes. And what hope is that, I pray thee?
Laun. Marry, you may partly hope that your father 010 got you not, that you are not the Jew’s daughter.
Jes. That were a kind of bastard hope, indeed: so the sins of my mother should be visited upon me.
Laun. Truly then I fear you are damned both by father 014 and mother: thus when I shun Scylla, your father, I fall 015 into Charybdis, your mother: well, you are gone both ways.
Jes. I shall be saved by my husband; he hath made me a Christian.
Laun. Truly, the more to blame he: we were Christians 019 enow before; e’en as many as could well live, one by 020 another. This making of Christians will raise the price of hogs: if we grow all to be pork-eaters, we shall not shortly have a rasher on the coals for money.
Enter Lorenzo.
Jes. I’ll tell my husband, Launcelot, what you say: here 024 he comes.
025 Lor. I shall grow jealous of you shortly, Launcelot, if you thus get my wife into corners.
Jes. Nay, you need not fear us, Lorenzo: Launcelot and I are out. He tells me flatly, there is no mercy for me in heaven, because I am a Jew’s daughter: and he says, 030 you are no good member of the commonwealth; for, in converting Jews to Christians, you raise the price of pork.
Lor. I shall answer that better to the commonwealth than you can the getting up of the negro’s belly: the Moor 034 is with child by you, Launcelot.
035 Laun. It is much that the Moor should be more than 036 reason: but if she be less than an honest woman, she is indeed more than I took her for.
Lor. How every fool can play upon the word! I think the best grace of wit will shortly turn into silence; and discourse 040 grow commendable in none only but parrots. Go in, sirrah; bid them prepare for dinner.
Laun. That is done, sir; they have all stomachs.
043 Lor. Goodly Lord, what a wit-snapper are you! then bid them prepare dinner.
045 Laun. That is done too, sir; only ‘cover’ is the word.
Lor. Will you cover, then, sir?
Laun. Not so, sir, neither; I know my duty.
048 Lor. Yet more quarrelling with occasion! Wilt thou show the whole wealth of thy wit in an instant? I pray 050 thee, understand a plain man in his plain meaning: go to thy fellows; bid them cover the table, serve in the meat, and we will come in to dinner.
Laun. For the table, sir, it shall be served in; for the meat, sir, it shall be covered; for your coming in to dinner, 055 sir, why, let it be as humours and conceits shall govern. [Exit.
056 Lor. O dear discretion, how his words are suited!
The fool hath planted in his memory
An army of good words; and I do know
A many fools, that stand in better place,
060 Garnish’d like him, that for a tricksy word
061 Defy the matter. How cheer’st thou, Jessica?
And now, good sweet, say thy opinion,
063 How dost thou like the Lord Bassanio’s wife?
Jes. Past all expressing. It is very meet
065 The Lord Bassanio live an upright life;
For, having such a blessing in his lady,
He finds the joys of heaven here on earth;
068 And if on earth he do not mean it, then
In reason he should never come to heaven.
070 Why, if two gods should play some heavenly match
And on the wager lay two earthly women,
And Portia one, there must be something else
Pawn’d with the other; for the poor rude world
Hath not her fellow.
Lor.
074 Even such a husband
075 Hast thou of me as she is for a wife.
Jes. Nay, but ask my opinion too of that.
Lor. I will anon: first, let us go to dinner.
Jes. Nay, let me praise you while I have a stomach.
079 Lor. No, pray thee, let it serve for table-talk;
080 Then, howsoe’er thou speak’st, ’mong other things
081 I shall digest it.
Jes.
Well, I’ll set you forth. [Exeunt.
About
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Other versions of Love's Labour's Lost (version 2)
- Love's Labour's Lost — narrated by multiple narrators · English
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