Love's Labour's Lost (version 2) - Free Audiobook
1/6Dramatis Personae
Love's Labour's Lost (version 2)
TMOV II. 4
000 Scene IV. The same. A street.
TMOV II. 4 Enter Gratiano, Lorenzo, Salarino, and Salanio.
Lor. Nay, we will slink away in supper-time,
Disguise us at my lodging, and return
All in an hour.
Gra. We have not made good preparation.
005 Salar. We have not spoke us yet of torch-bearers.
Salan. ’Tis vile, unless it may be quaintly order’d,
And better in my mind not undertook.
008 Lor. ’Tis now but four o’clock: we have two hours
009 To furnish us.
Enter Launcelot, with a letter.
Friend Launcelot, what’s the news?
010 Laun. An it shall please you to break up this, it shall seem to signify.
Lor. I know the hand: in faith, ’tis a fair hand;
013 And whiter than the paper it writ on
014 Is the fair hand that writ.
Gra.
Love-news, in faith.
015 Laun. By your leave, sir.
Lor. Whither goest thou?
Laun. Marry, sir, to bid my old master the Jew to sup to-night with my new master the Christian.
Lor. Hold here, take this: tell gentle Jessica
020 I will not fail her; speak it privately.
021 Go, gentlemen, [Exit Launcelot.
022 Will you prepare you for this masque to-night?
I am provided of a torch-bearer.
Salar. Ay, marry, I’ll be gone about it straight.
Salan. And so will I.
Lor.
025 Meet me and Gratiano
At Gratiano’s lodging some hour hence.
Salar. ’Tis good we do so. [Exeunt Salar. and Salan.
Gra. Was not that letter from fair Jessica?
Lor. I must needs tell thee all. She hath directed
030 How I shall take her from her father’s house;
What gold and jewels she is furnish’d with;
What page’s suit she hath in readiness.
If e’er the Jew her father come to heaven,
It will be for his gentle daughter’s sake:
035 And never dare misfortune cross her foot,
Unless she do it under this excuse,
That she is issue to a faithless Jew.
Come, go with me; peruse this as thou goest:
Fair Jessica shall be my torch-bearer. [Exeunt.
About
Temptations and infatuations abound in this sparklingly linguistic early comedy from Shakespeare, where cerebral pursuits and ascetic intentions prove no match for the nobles of Navarre’s royal court when the Princess of France and her attendants arrive on a political mission and find themselves enmeshed in a mission of far more amorous ambitions. An entertaining battle of sexes, wits and classes ensues as the great master of the English language concocts a roundelay of semantic gamesmanship, mixing high lyricism, bawdy wordplay and a fair degree of scholarly satire together with elastic dexterity to poke fun at masculine romantic ideations and female objectification, the ambiguities of communication, as well as the ignorance of the seemingly cultured societal sets. And then, in a stunning tonal turn mere moments before the play’s conclusion that manages to thwart all our expectations, the young Shakespeare grounds this heretofore exuberant work in a startlingly mature realism that is far removed from his most popular comedies, lending Love’s Labour’s Lost both a worldliness and honesty that marks it as a work of astonishing complexity.
And to perform it all? Three men (Craig Franklin, Tomas Peter, and Brad “Hamlet” Filippone) and three women (Sonia, Jenn Broda, and Kelly S. Taylor), determined to give you a performance of Shakespeare's work that you will never forget. You thought you knew your Shakespeare? Well, think again! - Summary by Tomas Peter
Cast list: Craig Franklin: Narrator; Costard; Dumain; Maria & Marcade. Brad “Hamlet” Filippone: Biron; Holofernes & French Lord. Jenn Broda: The Princess of France; Dull & Ver (the Spring). Kelly S. Taylor: Ferdinand, King of Navarre; Katharine; Jaquenetta & Forester. Sonia: Rosaline; Moth; Longaville & Hiems (the Winter). Tomas Peter: Don Adriano de Armado; Boyet & Sir Nathaniel.
Other versions of Love's Labour's Lost (version 2)
- Love's Labour's Lost — narrated by multiple narrators · English
Comments
Be the first to comment
There aren't any comments on this content yet. Start the conversation!













