Audiolibro: Gentle Art of Faking
- Download Preface audio
- Download Part I: The Birth and Development of Faking – Greeks and Romans as Art Collectors audio
- Download Collectomania in Rome audio
- Download Rapacious Roman Collectors audio
- Download Rome as an Art Emporium audio
- Download Increase of Faking in Rome audio
- Download Decadence of Art and Consequent Changes audio
- Download The Renaissance Period audio
- Download Imitation, Plagiarism, and Faking audio
- Download Collectors of the Sixteenth Century audio
- Download Collecting in France and England audio
- Download Mazarin as a Collector audio
- Download Some Notable French Collectors audio
- Download Part II: The Collector and the Faker – Collectors and Collections audio
- Download The Collector's Friends and Enemies audio
- Download Imitators and Fakers audio
- Download The Artistic Qualities of Imitators audio
- Download Fakers, Forgers and the Law audio
- Download The Faked Atmosphere and Public Sales audio
- Download Part III: The Faked Article – The Make-up of Faked Antiques audio
- Download Faked Sculpture, Bas-reliefs and Bronzes audio
- Download Faked Pottery audio
- Download Metal Fakes audio
- Download Wood Work and Musical Instruments audio
- Download Velvets, Tapestries and Books audio
- Download Summing Up audio
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Descripción
IIn analysing the Faker one must dissociate him from the common forger; his semi-artistic vocation places him quite apart from the ordinary counterfeiter; he must be studied amid his proper surroundings, and with the correct local colouring, so to speak, and his critic may perchance find some slight modicum of excuse for him. Beside him stand the Imitator, from whom the faker often originates, the tempter who turns the clever imitator into a faker, and the middleman who lures on the unwary collector with plausible tales. It is not the object of this volume to study the Faker by himself, but to trace his career through the ages in his appropriate surroundings, and compare the methods adopted by him at various periods of history, so far as they may be obtained. (from the Preface)
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