The Botanic Garden, a Poem in Two Parts. Part 1 - Audiolibro Gratis
Autor(es): Erasmus Darwin,
1 / 58Advertisement and Apology
- 1. Advertisement and Apology
- 2. To the Author of the Poem On the Loves of the Plants
- 3. Canto I, lines 1-188
- 4. Canto I, lines 189-278
- 5. Canto I, lines 279-412
- 6. Canto I, lines 413-600
- 7. Canto II, lines 1-124
- 8. Canto II, lines 125-276
- 9. Canto II, lines 277-498
- 10. Canto II, lines 499-610
- 11. Canto III, lines 1-128
- 12. Canto III, lines 129-320
- 13. Canto III, lines 321-528
- 14. Canto III, lines 529-590
- 15. Canto IV, lines 1-164
- 16. Canto IV, lines 165-358
- 17. Canto IV, lines 359-484
- 18. Canto IV, lines 485-640
- 19. Note I.—Meteors.
- 20. Note II.—Primary Colours.
- 21. Note III.—Coloured Clouds.
- 22. Note IV.—Comets.
- 23. Note V.—Sun's Rays.
- 24. Note VI.—Central Fires.
- 25. Note VII.—Elementary Heat.
- 26. Note VIII.—Memnon's Lyre.
- 27. Note IX.—Luminous Insects.
- 28. Note X.—Phosphorus.
- 29. Note XI.—Steam-Engine.
- 30. Note XII.—Frost.
- 31. Note XIII.—Electricity.
- 32. Note XIV.—Buds and Bulbs.
- 33. Note XV.—Solar Volcanos.
- 34. Note XVI.—Calcareous Earth.
- 35. Note XVII.—Morasses.
- 36. Note XVIII.—Iron.
- 37. Note XIX.—Flint.
- 38. Note XX.—Clay.
- 39. Note XXI.—Enamels.
- 40. Note XXII.—Portland Vase.
- 41. Note XXIII.—Coal.
- 42. Note XXIV.—Granite.
- 43. Note XXV.—Evaporation.
- 44. Note XXVI.—Springs.
- 45. Note XXVII.—Shell Fish.
- 46. Note XXVIII.—Sturgeon.
- 47. Note XXIX.—Oil on Water.
- 48. Note XXX.—Ship-Worm.
- 49. Note XXXI.—Maelstrom.
- 50. Note XXXII.—Glaciers.
- 51. Note XXXIII.—Winds.
- 52. Note XXXIII.—Winds. (continued)
- 53. Note XXXIV.—Vegetable Perspiration.
- 54. Note XXXV.—Vegetable Placentation.
- 55. Note XXXVI—Vegetable Circulation.
- 56. Note XXXVII—Vegetable Respiration.
- 57. Note XXXVIII.—Vegetable Impregnation.
- 58. Note XXXIX.—Vegetable Glandulation.
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Charles Darwin’s grandfather Erasmus was also a famous naturalist in his own day, in addition to being a celebrated poet. This is the first part of his popular science poem in heroic couplets intended to introduce botany to the English public. It serves as a general defense of scientific progress as a practical and artistic endeavor, laying the groundwork for its sequel poem on Linnaeus’ system of sexual selection in plants, Loves of the Plants. - Summary by Matthew Muñoz
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