Audiolibro: How to Sing (Meine Gesangskunst)
How to Sing (Meine Gesangskunst)
1 - 00 - Preface; My Purpose; My Title to Write on the Art of Song
- Download 00 - Preface; My Purpose; My Title to Write on the Art of Song audio
- Download 01 - Section I: Preliminary Practice audio
- Download 02 - Section II: Of the Breath audio
- Download 03 - Section III: Of the Breath and Whirling Currents audio
- Download 04 - Section IV: The Singer's Physiological Studies audio
- Download 05 - Section V: Equalizing the Voice - Form audio
- Download 06 - Section VI: The Attack and the Vowels audio
- Download 07 - Sections VII - VIII: Nasal Singing; The Head Voice audio
- Download 08 - Sections IX - XII: Sensations of Tongue, Nose, Palate and Resonance of Head Cavities audio
- Download 09 - Sections XIII - XIV: On Vocal Registers; Development and Equalization audio
- Download 10 - Section XV - XVI: White Voices; Theodor Wachtel audio
- Download 11: Section XVII: Highest Head Tones audio
- Download 12: Sections XVIII - XIX: The Tremolo; The Cure audio
- Download 13 - Sections XX - XXI: The Tongue; Preparations for Singing audio
- Download 14 - Sections XXII - XXIV: Position of the Mouth; Connection of Vowels; The Lips audio
- Download 15 - Sections XXV - XXVII: The Vowel Sound AH; Italian and German; Auxiliary Vowels audio
- Download 16 - Sections XXVIII - XXX: Resonant Consonants; Practical Exercises; The Great Scale audio
- Download 17 - Sections XXXI - XXXII: Velocity; Trill audio
- Download 18 - Section XXXIII: How to Hold One's Self when Practising audio
- Download 19 - Section XXXIV: Pronunciation - Consonants audio
- Download 20 - Sections XXXV - XXXVI: Concerning Expression; Before the Public audio
- Download 21 - Section XXXVII - XXXVIII and Note: Interpretation; In Conclusion; Remedy for Catarrh and Hoarseness audio
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Descripción
Lilli Lehmann, born Elisabeth Maria Lehmann, was a German operatic soprano of phenomenal versatility. She was also a voice teacher.
She wrote: "Every serious artist has a sincere desire to help others reach the goal—the goal toward which all singers are striving: to sing well and beautifully." This is the 1915 second (expanded) edition of her book, and the accompanying online book scan includes many illustrations and diagrams, both physiological and musical, which the listener will find useful.
Much of Lilli Lehmann's advice is complex and demanding - the standards which she set for herself were beyond the highest aspirations of most professional singers. However, there is still much in this book that is enlightening to all those who are interested in using their voice to best advantage, both in song and the spoken word. (Summary by Ruth Golding and Wikipedia)
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