Audiolibro: Lives of the Most Eminent Painters, Sculptors and Architects
Lives of the Most Eminent Painters, Sculptors and Architects
1 - 01 - Translator's Preface and Dedications to Cosimo de Medici
- Download 01 - Translator's Preface and Dedications to Cosimo de Medici audio
- Download 02 - Preface to the Whole Work audio
- Download 03 - Preface to the Lives audio
- Download 04 - Giovanni Cimabue audio
- Download 05 - Arnolfo di Lapo audio
- Download 06 - Niccola and Giovanni of Pisa audio
- Download 07 - Andrea Tafi audio
- Download 08 - Gaddo Gaddi audio
- Download 09 - Margaritone audio
- Download 10 - Giotto, part 1 audio
- Download 11 - Giotto, part 2 audio
- Download 12 - Agostino and Agnolo of Siena audio
- Download 13 - Stefano and Ugolino Sanese audio
- Download 14 - Pietro Laurati audio
- Download 15 - Andrea Pisano audio
- Download 16 - Buonamico Buffalmacco, part 1 audio
- Download 17 - Buonamico Buffalmacco, part 2 audio
- Download 18 - Ambrogio Lorenzetti audio
- Download 19 - Pietro Cavallini audio
- Download 20 - Simone Sanese audio
- Download 21 - Life of Taddeo Gaddi, Painter of Florence audio
- Download 22 - Andrea di Cione Orcagna audio
- Download 23 - Tommaso, called Giottino audio
- Download 24 - Giovanni dal Ponte audio
- Download 25 - Agnolo Gaddi audio
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The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, from Cimabue to Our Times, or Le Vite delle più eccellenti pittori, scultori, ed architettori, as it was originally known in Italian, is a series of artist biographies written by 16th century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most- read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "one of the founding texts in art history".
Vasari's work has been described as "by far the most influential single text for the history of Renaissance art" and "the most important work of Renaissance biography of artists". Its influence is situated mainly in three domains: as an example for contemporary and later biographers and art historians, as a defining factor in the view on the Renaissance and the role of Florence and Rome in it, and as a major source of information on the lives and works of early Italian artists.
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