Audiobook: Oscar Wilde: Art and Morality. A Defence of The Picture of Dorian Gray
Oscar Wilde: Art and Morality. A Defence of The Picture of Dorian Gray
1 - 01 – Art and Morality
- Download 01 – Art and Morality audio
- Download 02 – A Study in Puppydom audio
- Download 03 – Mr Wilde’s Bad Case audio
- Download 04 – Mr Oscar Wilde Again audio
- Download 05 – Mr Oscar Wilde’s Defence audio
- Download 06 – 06 – Letter from “A London Editor” audio
- Download 07 – Mr Oscar Wilde’s Defence audio
- Download 08 – The Daily Chronicle” on “Dorian Gray” audio
- Download 09 – “The Scots Observer’s” Review. Oscar Wilde’s Replies audio
- Download 10 – Further Correspondence audio
- Download 11 – Profuse and Perfervid audio
- Download 12 – 12 – A Spiritualistic Review. By “NIZIDA” audio
- Download 13 – Punch on “Dorian Gray” audio
- Download 14 – A Revulsion from Realism. By Anne H. Wharton audio
- Download 15 – The Romance of the Impossible. By Julian Hawthorne audio
- Download 16 – Walter Pater on “Dorian Gray” audio
- Download 17 – The Morality of “Dorian Gray” audio
- Download 18 – Mr Robert Buchanan on Pagan Viciousness audio
“Who can help laughing when an ordinary journalist seriously proposes to limit the subject-matter at the disposal of the artist?”
“We are dominated by journalism…. Journalism governs for ever and ever.”
One of the nastiest of the British tabloids was founded a year too late to join in the moral panic generated to accompany Oscar Wilde’s court appearances in 1895. Yet there was no shortage of hypocritical journalists posing as moral arbiters to the nation, then as now.
This compendium work – skilfully assembled by the editor, Stuart Mason – ends with transcript of Wilde’s first appearance in the Old Bailey, when he was cross-examined on the alleged immorality of his novel The Picture of Dorian Gray. The disastrous outcome of these trials provides an ironic conclusion to the earlier knockabout exchanges between Oscar and his reviewers. In these he is at his flamboyant best, revelling in the publicity he pretends to disdain. His brave performances in the dock did nothing, however, to save him from hard labour, the treadmill and complete physical and moral breakdown which the law found it necessary to inflict on him.
In contrast to the hacks and lawyers, two refreshingly open-minded Americans write perceptively about the novel, as does Walter Pater, the grand old man of Aestheticism.
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